Films That Move
Unleash hope, inspire change with our free environmental film series
Join us to experience a free, virtual community screening series brought to you by The Redford Center, a leading US nonprofit dedicated to environmental impact filmmaking, and our larger filmmaker network. We are proud to present an enhanced Redford Center film offering, Films That Move – a free screening series that is packed with inspiring content to move you and your community into action.
Subscribers to The Redford Center’s newsletter can enjoy one to two virtual film screenings per month, available for a week, featuring solutions-based environmental stories from grassroots activists, frontline communities, and talented filmmakers worldwide. Subscribers will also receive timely calls to action and exclusive invitations to in-person film screenings in the Bay Area and across the country, providing opportunities to network, connect with the community, and engage with filmmakers.
-
In the Choctaw Nation of Oklahoma, the Kiamichi River is a bastion of eco-diversity. Yet its future is under risk as a Texas corporation seeks to build a hydroelectric plant on the small river and the state of Oklahoma aims to divert the river’s water 200 miles away to Oklahoma City, threatening locals’ way of life and sustainability in the River Valley. For a group of locals, theirs is a generations-long struggle with resource extraction and displacement that began with the Trail of Tears. The story follows the river as its main character as the director also explores the effects of her Choctaw grandfather’s work for the Army Corps of Engineers—damming rivers throughout tribal land in Oklahoma. Interwoven are the stories of the river’s advocates—residents, Choctaw culture-keepers and scientists—who have come together to protect the river.
-
Colleen Thurston is a documentary storyteller, producer and film curator from Tulsa, Oklahoma. She has created non-fiction film and videos for the Smithsonian Channel, Vox, and museums, public television, and federal and tribal organizations. Grounding her filmmaking practice in place-based narratives and Indigenous world views, her work has screened at international film festivals and broadcast nationwide.